Monday, August 11, 2008
Sunday, August 10, 2008
The Spine
I finally got my Webby trophy in the mail the other week! I thought I'd show off its spine-like quality by adding my skull model (used for reference on many of my pieces)...
The base is quite heavy and the spring is actually very springy! I haven't gotten a trophy since I was a kid, so it was a funny and satisfying experience to have this come at the culmination of my project. Thanks again to everyone who voted and helped make it happen!
The base is quite heavy and the spring is actually very springy! I haven't gotten a trophy since I was a kid, so it was a funny and satisfying experience to have this come at the culmination of my project. Thanks again to everyone who voted and helped make it happen!
Sunday Simulacra - Round 6
Adam Pocius shared this cotton cleaning pad and the following eerie tale about it...
Kurt Marquart of Brooklyn, New York discovered this fellow hiding in a "cave" at a pool while on vacation in the Bahamas...
"I worked as a printer in the basement of the Colorado Mental Health Institute of Pueblo. I worked on an older Multigraphics 1250 press to print copious amounts of hospital forms. One thing I noticed is that I was drawn by some force to always look at the counter when it reached 666. I thought it coincidence the first few times, but it happened so much, that it surpassed coincidence in my mind. That said, one day I was done with a large run and had viewed the 666 like the many times before. I typically used a square cotton pad folded in half to clean the blanket of the press.Paul Goode of Redmond, Washington found this creepy sight on a back road of County Mayo in the west of Ireland...
As I wiped the machine down and started to refold cotton pad in the opposite direction, I noticed this skull staring at me! I'm familiar with matrixing as described by Grant Wilson from Taps, "The human mind's natural tendency to find familiar shapes in complex shapes or colors. In other words, finding a face in the shapes and shadows of a collection of objects." I'm not sure that this 'coincidence' means the machine is possessed, but I was still amazed to find it. I did work in the basement area of the hospital and it was connected by a series of tunnels that linked all the different wards of the hospital together. I know that hospital is supposed to be inhabited by other entities, but I don't know if this falls under that category. I figured it was time to share the story."
Kurt Marquart of Brooklyn, New York discovered this fellow hiding in a "cave" at a pool while on vacation in the Bahamas...
Saturday, August 9, 2008
Scrappy Skull
Chris Zeliff AKA Flaming Athiest made this lovely welded skull! He says, "Scrappy the Skull is made from scrap pipes for eyes and chest, stress test sample for the nose (bent 1/4" plate), 1/4" plate shoulders, 1/4" cut spine and 1/8" flats hand shaped for the outline and teeth. MIG welded. He's 2 feet tall and weighs about 35 pounds."
Friday, August 8, 2008
Skulltoons
A fantastic custom piece from Andreas Ivanof AKA Zirkon777 in Germany...
And a cautionary fellow (seriously kids, smoking will kill you!) named "Alfred Jenkins"from Raven Perez ...
And a cautionary fellow (seriously kids, smoking will kill you!) named "Alfred Jenkins"from Raven Perez ...
Thursday, August 7, 2008
One-Eyed Skully + 365 Interview
Today is the premiere of a new feature on Skull-A-Day: 365 Interviews. No I’m not going to do 365 interviews, I’m interviewing folks who have also done their own 365 day project. Since I was already planning to show this excellent One-Eyed Willy skull (from The Goonies) made out of melted chocolate coins by Kris A.K.A. Rakka from Suspect and Fugitive, I decided she would be our first victim...
Kris A.K.A. Rakka started her 365 project Suspect and Fugitive on February 1st, 2008. She is making stencil based art out of perishable materials...
S-A-D: Why did you decide to do a 365 project?
K: Before I started "Suspect and Fugitive", I felt myself slipping into a stylistic rut. I thought that forcing myself to make a new piece every day for a year in method that I typically didn't use (stenciling) would kick-start the ol' creative juices. Thankfully, I was right but occasionally I have doubts about whether or not it was sane to make the commitment of completing one finished thing a day. Especially when I have to go to the dentist (which I've been doing a lot lately).
S-A-D: On average how much time do you spend each day on your pieces?
K: If things are working well, usually about 45 minutes to an hour. Sometimes, however, it can take up a good part of the morning if my stencils aren't working the way I need them to.
S-A-D: Where do you usually make your pieces?
K: I don't have a studio space but instead have three places where I work at home: in the hallway near my front door, in my kitchen near my coffee pot and in front of my TV. I have to admit to the area in front of my TV being my favorite spot.
S-A-D: How often did you make art before this?
K: I've always tried to finish at least one piece a week. Naturally, not all of them were any good, but it's important to stay in practice! Also, I draw for at least an hour a day. No exceptions!! (Well, maybe when I have to go to the dentist...)
S-A-D: Did you blog before this?
K: Believe it or not, I've been blogging in one form or another for eight years! (I started in 2000 with a D.C./Baltimore-centric group blog (which shall remain nameless) and have run the gamut from a short stint at a video game site to a retro cooking gig for the old Swapatorium.) Currently, in addition to S&F, I also spew nonsense at my personal blog Glitter Pissing and occasionally manage to pull something together for Schmancy Gallery.
S-A-D: What have you learned about yourself in the process of doing this?
K: I've learned that I'm not very good at explaining what I do in normal conversation! haha! (I'm *terrible* at networking!) I've also discovered that I shouldn't second guess an idea or belabor one that's not working yet. Learning to take breaks for coffee has been extremely beneficial!
S-A-D: How has this process affected your creativity?
K: My creativity has rocketed up since I started this project! It also helped me to get out of that rut I keep referring to. For example, now I'm not afraid to make things look entirely ridiculous if that's what's called for. Before I would always think "how would this be received in a classroom critique?"
Case in point, I'm working on a new series of paintings with a friend of mine that's loosely based on the idea of "power animals". (We've watched "Fight Club" too many times.) They're absolutely garish, horrible and slightly Lisa Frank-ish but they crack me up to no end! I never would've made them if it hadn't been for S&F. (I'm left to wonder if that's a good thing or not...)
S-A-D: How do you stay inspired?
K: I watch a lot of TV. A LOT of TV. And I read a ton of sites (you should see my feedreader!), magazines and books. I'm at the library at least once a week. My "fugitives" are heavily influenced by pop culture so that's how I justify my digital cable bill. I also try to talk to other artists and go to as many openings and galleries as possible.
S-A-D: What was the hardest (or most time consuming) piece to make so far?
Either "Cheeto Britney" or "Donna Hayword(s)". Britney because I hadn't really figured out how to do the portrait stencils efficiently at that point. (Plus Cheetos are a pain in the nards to work with!) Donna due to all the cutting.
S-A-D: What are your favorites so far?
K: "Alfredo Hitchcock", "Catalog Ladies", "Inigo Montoya" and "Red Divines". Is it bad to admit that I love those because, except for the "Catalog Ladies", they all worked exactly the way that I thought they would from concept to finished piece? Because it's true. I'm fond of "Catalog Ladies" because it was, to quote Bob Ross, "a happy accident". A very happy one!
S-A-D: What is the best thing that has come from doing this project?
K: I'm going to be corny and admit that it's been meeting a bunch of really talented people I might not otherwise have come in contact with if it hadn't been for the site. Also, this is corny as well, but my dad and step mom both *finally* understand something that I'm working on! haha!
S-A-D: At this point do you think you would commit to doing another 365 project?
K: Absolutely! In fact, I have another one in the works. I'd tell you about it but I don't have all of the kinks worked out yet. (It'll probably launch in March of 2009.)
S-A-D: Any advice for people considering starting their own 365 project?
K: Make sure to put some planning into your project before you get started! A lot of people I know who have tried to do the 365 thing haven't gotten past the three month mark because they hadn't put much thought into where they were going to go with things.
I might not be the best example as I'm painfully OCD but I planned out materials and enough ideas to get me through at least three months before I started. Not all of those ideas came to fruition but it made things easier out of the gate.
Also, don't get discouraged. There are going to be times when you're not going to feel like making something. Just work through it and, before you know it, you'll be back on track!
S-A-D: What's next for you?
K: August is going to be kinda' busy. Today, I'll be at "Local Bounce", a new crafty type fair in Seattle's Queen Anne neighborhood, selling S&F related items. Then on the 20th, I'll be part of the "Bring and Brag Lab" at Velocity's South Lake Union/Denny Triangle-ish location (also in Seattle). I'll also have two pieces in the next Seattle Munny show in September and, *fingers crossed* I'll hopefully have a few projects in a friend's upcoming book!
Thanks Kris!
Kris Garland, a.k.a. Rakka, is a native Tennessean who has no accent. She once helped to make some of the floral displays seen in the funeral scenes in the movie "21 Grams" and finds that to be rather random. She obtained a B.F.A. in Painting, Printmaking, Sculpture and Ceramics from UMemphis and never refers to it except in bios. Kris has moved 35 times and thinks that that is enough already. She currently lives in Seattle with her boyfriend and four cats. Yes, four cats.
If you have done or are in the midst of a 365 project and would like to be interviewed drop me a line. Priority will be given to folks who have made a skull image as part of their project.
Kris A.K.A. Rakka started her 365 project Suspect and Fugitive on February 1st, 2008. She is making stencil based art out of perishable materials...
S-A-D: Why did you decide to do a 365 project?
K: Before I started "Suspect and Fugitive", I felt myself slipping into a stylistic rut. I thought that forcing myself to make a new piece every day for a year in method that I typically didn't use (stenciling) would kick-start the ol' creative juices. Thankfully, I was right but occasionally I have doubts about whether or not it was sane to make the commitment of completing one finished thing a day. Especially when I have to go to the dentist (which I've been doing a lot lately).
S-A-D: On average how much time do you spend each day on your pieces?
K: If things are working well, usually about 45 minutes to an hour. Sometimes, however, it can take up a good part of the morning if my stencils aren't working the way I need them to.
S-A-D: Where do you usually make your pieces?
K: I don't have a studio space but instead have three places where I work at home: in the hallway near my front door, in my kitchen near my coffee pot and in front of my TV. I have to admit to the area in front of my TV being my favorite spot.
S-A-D: How often did you make art before this?
K: I've always tried to finish at least one piece a week. Naturally, not all of them were any good, but it's important to stay in practice! Also, I draw for at least an hour a day. No exceptions!! (Well, maybe when I have to go to the dentist...)
S-A-D: Did you blog before this?
K: Believe it or not, I've been blogging in one form or another for eight years! (I started in 2000 with a D.C./Baltimore-centric group blog (which shall remain nameless) and have run the gamut from a short stint at a video game site to a retro cooking gig for the old Swapatorium.) Currently, in addition to S&F, I also spew nonsense at my personal blog Glitter Pissing and occasionally manage to pull something together for Schmancy Gallery.
S-A-D: What have you learned about yourself in the process of doing this?
K: I've learned that I'm not very good at explaining what I do in normal conversation! haha! (I'm *terrible* at networking!) I've also discovered that I shouldn't second guess an idea or belabor one that's not working yet. Learning to take breaks for coffee has been extremely beneficial!
S-A-D: How has this process affected your creativity?
K: My creativity has rocketed up since I started this project! It also helped me to get out of that rut I keep referring to. For example, now I'm not afraid to make things look entirely ridiculous if that's what's called for. Before I would always think "how would this be received in a classroom critique?"
Case in point, I'm working on a new series of paintings with a friend of mine that's loosely based on the idea of "power animals". (We've watched "Fight Club" too many times.) They're absolutely garish, horrible and slightly Lisa Frank-ish but they crack me up to no end! I never would've made them if it hadn't been for S&F. (I'm left to wonder if that's a good thing or not...)
S-A-D: How do you stay inspired?
K: I watch a lot of TV. A LOT of TV. And I read a ton of sites (you should see my feedreader!), magazines and books. I'm at the library at least once a week. My "fugitives" are heavily influenced by pop culture so that's how I justify my digital cable bill. I also try to talk to other artists and go to as many openings and galleries as possible.
S-A-D: What was the hardest (or most time consuming) piece to make so far?
Either "Cheeto Britney" or "Donna Hayword(s)". Britney because I hadn't really figured out how to do the portrait stencils efficiently at that point. (Plus Cheetos are a pain in the nards to work with!) Donna due to all the cutting.
S-A-D: What are your favorites so far?
K: "Alfredo Hitchcock", "Catalog Ladies", "Inigo Montoya" and "Red Divines". Is it bad to admit that I love those because, except for the "Catalog Ladies", they all worked exactly the way that I thought they would from concept to finished piece? Because it's true. I'm fond of "Catalog Ladies" because it was, to quote Bob Ross, "a happy accident". A very happy one!
S-A-D: What is the best thing that has come from doing this project?
K: I'm going to be corny and admit that it's been meeting a bunch of really talented people I might not otherwise have come in contact with if it hadn't been for the site. Also, this is corny as well, but my dad and step mom both *finally* understand something that I'm working on! haha!
S-A-D: At this point do you think you would commit to doing another 365 project?
K: Absolutely! In fact, I have another one in the works. I'd tell you about it but I don't have all of the kinks worked out yet. (It'll probably launch in March of 2009.)
S-A-D: Any advice for people considering starting their own 365 project?
K: Make sure to put some planning into your project before you get started! A lot of people I know who have tried to do the 365 thing haven't gotten past the three month mark because they hadn't put much thought into where they were going to go with things.
I might not be the best example as I'm painfully OCD but I planned out materials and enough ideas to get me through at least three months before I started. Not all of those ideas came to fruition but it made things easier out of the gate.
Also, don't get discouraged. There are going to be times when you're not going to feel like making something. Just work through it and, before you know it, you'll be back on track!
S-A-D: What's next for you?
K: August is going to be kinda' busy. Today, I'll be at "Local Bounce", a new crafty type fair in Seattle's Queen Anne neighborhood, selling S&F related items. Then on the 20th, I'll be part of the "Bring and Brag Lab" at Velocity's South Lake Union/Denny Triangle-ish location (also in Seattle). I'll also have two pieces in the next Seattle Munny show in September and, *fingers crossed* I'll hopefully have a few projects in a friend's upcoming book!
Thanks Kris!
Kris Garland, a.k.a. Rakka, is a native Tennessean who has no accent. She once helped to make some of the floral displays seen in the funeral scenes in the movie "21 Grams" and finds that to be rather random. She obtained a B.F.A. in Painting, Printmaking, Sculpture and Ceramics from UMemphis and never refers to it except in bios. Kris has moved 35 times and thinks that that is enough already. She currently lives in Seattle with her boyfriend and four cats. Yes, four cats.
If you have done or are in the midst of a 365 project and would like to be interviewed drop me a line. Priority will be given to folks who have made a skull image as part of their project.
Wednesday, August 6, 2008
Climbing Skull
Banks Beasley, currently attending Colorado School of Mines in Golden, Colorado made this fantastic skull out of rock climbing gear, he says, "the eyes are hex-eccentrics, the nose is two tricams, the teeth are 8 wired nuts, the mouth is an angled carabiner, the cheeks are cams, and the outline is a length of cordelette."
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